How can you make a difference in your placement or in the wider world?
I aim to bring a perspective rooted in Korean traditional aesthetics into contemporary textile practice, combining heritage with sustainability. By integrating circular design principles and responsible material choices, I want to challenge fast consumption culture and encourage more thoughtful production. Within a placement, I would contribute research driven concepts and culturally informed narratives that add depth and meaning to textile outcomes.
What problem does your project address, Past, Present, Future?
In the past, many traditional Korean craft techniques were sustainable by nature, using natural dyes and locally sourced materials. In the present, these practices are often overlooked in favour of mass production and synthetic processes. In the future, there is a risk that both cultural heritage and environmental responsibility will continue to decline. My project addresses the loss of traditional identity and the urgent need for sustainable systems by reconnecting craft heritage with contemporary textile innovation.
How will it work? Who will be involved? Who benefits?
The project would research traditional Korean patterns, dye methods, and philosophies, then reinterpret them for modern textile applications. It would involve collaboration with artisans, sustainable material suppliers, and industry mentors. Consumers benefit through access to meaningful and responsibly made products. Artisans benefit through renewed visibility and collaboration. The wider design industry benefits from alternative models that combine culture and sustainability.
Why are you the right person to do this project?
As someone educated within both Korean cultural context and UK design education, I can bridge two perspectives. My academic background in textile design, combined with my strength in research and concept development, allows me to approach this idea critically and creatively. I am also strongly motivated to explore sustainability in a way that feels authentic rather than superficial.
How could your idea be monetized?
The idea could develop into a textile brand focused on limited collections, collaborative capsule lines, or consultancy services for brands seeking culturally informed sustainable design. Revenue could come from product sales, design licensing, workshops, and partnerships with galleries or retailers.
How would your project develop if it had funding?
With funding, I would invest in material research, natural dye sampling, collaboration with skilled artisans, and professional prototyping. I would also develop branding, digital presence, and exhibition opportunities to test market response. In the long term, funding would support building a small scale production network that prioritises ethical sourcing and regenerative practices.